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Spotlight Archive
Theatres & Organizations
Active Arts Theatre for Young
Audiences, Arizona Theatre Company, Black Hawk Children's
Theatre, Children's Theatre of Charlotte, The Children’s
Theatre of Cincinnati, The Children’s Theatre Company of
Minneapolis, Children's Theatre Foundation of America, The
Coterie Theatre, Dallas Children’s Theatre, Faustworks,
Honolulu Theatre for Youth, Kansas University Theatre for
Young People, Metro Theatre Company, Nashville Children's
Theatre, The New Victory Theater, Orlando Repertory Theatre,
Parson's Nose Productions, The Paper Bag Players, People's
Light and Theatre Company, The Seem-To-Be Players and Walnut
Street Theatre.
Events
Korean World Congress, One
Theatre World, Children’s Theatre Foundation of America’s
Medallion Award Winners, IPAY & the Cleveland International
Showcase (2005) and the ASSITEJ World Congress in Montreal.
Artists
Ric Averill, Sandra Fenichel Asher, Laurie
Brooks, Max Bush, Frumi Cohen, Jose Cruz Gonzales, Frank Higgins, James
DeVita, Mary Hall Surface, Jon Madof, Harold Oaks and Elizabeth Wong. |
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Recent Spotlights |
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First Stage
Children’s Theater
Milwaukee, Wisconsin
(August 2007)
Artistic
Director: Jeff Frank
Managing Director:
Robert Goodman

First Stage Children’s Theater is Milwaukee’s premier,
professional family theater. Founded in 1987, the
mission of the company is to touch hearts and transform
lives by creating exceptional, professional theater
experiences for young people and families; offering
academy training that fosters life skills through stage
skills; and providing dynamic in-school education
programs that promote learning through theater. A season
includes six mainstage plays, two First Steps plays that
are geared toward preschoolers and one touring
production. With more than 300 performances annually,
First Stage is one of the five largest professional
children’s theater companies in the United States and
the second largest theater company in Milwaukee.
Currently, First Stage is collaborating with Oregon
Children’s Theatre to co-commission a script of Lois
Lowry’s most recent novel, GOSSAMER.

The companies have many
commonalities that make them ideal partners: a
commitment to age appropriate casting, acting schools
that prepare students for the stage, youth involvement
in the writing process, a commitment to develop new work
and programming that gives voice to the disenfranchised.
The Artistic Directors of both theaters for
youth, Stan Foote, of Oregon Children’s Theatre, and
Jeff Frank, of First Stage Children’s Theater, share a
high regard for Lowry’s work and a common vision for
GOSSAMER. Foote
and Frank have a mutual respect for each other’s work
and each other’s companies that moves them to partner on
this project and many other projects in the future. They
cemented their partnership at New Visions/New Voices
2006 and commissioned Lowry to adapt her book into a
play. This will be the first play two-time Newbery
Medal-winning author Lowry has written.
As the
newest dream-giver, Littlest must learn to help humans
through the challenges of life by offering them dreams
collected from the fragments of their memories. She must
also protect them from the evil Sinisteed and the
nightmares they inflict. It is a big job for such a tiny
being, but with the help of her mentor, she gives
strength to a lonely older woman and the troubled young
boy she is caring for, helping them to face their
histories and to move beyond them to new places of hope.

From August 13 to 15, First Stage will bring author Lois
Lowry and Oregon Children’s Theatre’s Foote to Milwaukee
for the first of three script development workshops. The
directors and actors will work on sections of the script
with Lowry present. There will be a full reading of the
script and a discussion will follow. This process will
afford Lowry time and insight allowing her to further
develop the script.
The second workshop will take place in Portland on March
10, 2008. First Stage’s Frank will travel to attend this
staged reading.
First Stage and Oregon Children’s Theatre are submitting
GOSSAMER to the New Visions/New Voices program at the
Kennedy Center in April 2008. With the exception of the
few workshops already planned, GOSSAMER is being created
in the digital world of e-mail and phone as the
collaborators are spread across the country. Through the
workshop, the collaborators hope to gather insight on
balancing the fantasy and reality in this play. At times
they are separate, but fantasy and reality must also
collide in complex ways.
First Stage plans to bring GOSSAMER to the stage in
September 2008, and Oregon Children’s Theatre will
present GOSSAMER in October 2008.

GOSSAMER is not the first time First Stage has brought
one of Lowry’s books to the stage. In January 2007,
First Stage Children’s Theater performed a successful
run of a stage adaptation of Lowry’s THE GIVER. Lowry
attended opening weekend, seeing two performances and
both casts of performers.
“The
amazing thing was the way they dealt with the color (or
lack of color) issue,” Lowry wrote in her blog,
reflecting on the experience. “Using special lights that
sucked all the color out, the set and the performers all
appeared, literally, black and white (and gray).”
Lowry also participated in an extended talkback
following one of the performances which served as a
wonderful experience for the entire company and
audience, and a great start to the collaboration on
GOSSAMER.
For
more information on First Stage Children’s Theater,
please visit FirstStage.org.
Photo
Credits: All photos from THE GIVER. 1). Photo by Mark
Frohna. Joel Boyd as Jonas. 2). Photo by Mark Frohna.
Zach Both as Asher, Nurit Applebaum as Fiona, and Joel
Boyd as Jonas. 3). Photo by Mark Frohna. Jane
Engelking-Heer as Fiona, and Ryan Tutton as Jonas. 4).
Photo by Mark Frohna. Ari Shapiro as Asher, Jane
Engelking-Heer as Fiona, and Ryan Tutton as Jonas.
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Childsplay
Tempe, Arizona
(December 2007)
Artistic
Director: David Saar
Managing Director: Steve
Martin
/Theater.jpg)
Childsplay, Inc.
is Arizona's award-winning nonprofit theatre
company of professional, adult artists who
perform for and teach young audiences and their
families. The mission of Childsplay is "to
create theatre so strikingly original in form,
content or both, that it instills in young
people an enduring awe, love and respect for the
medium, thus preserving imagination and wonder,
the hallmarks of childhood which are keys to the
future." |
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/DSC_3104cover.JPG)
The Tempe Center
for the Arts (TCA) is a unique visual and
performing arts center built by the community
for the community. It is a professional level
venue in which local groups are expected to
provide more than 75 percent of the overall
programming.
Open to the public on September 9th,
2007, the TCA, designed by Tempe-based
Architekton and Barton Myers Associates of Los
Angeles, houses a state-of-the-art, 600-seat
proscenium theater, a 200-seat studio theater
and a 3,500 square-foot gallery. The finely
appointed
Lakeside
Room overlooks Tempe Town Lake, with
views of the Papago and Camelback mountains, is
available for meetings, banquets and special
events. The TCA resides in a beautifully
appointed
17-acre
lakeside art park developed by
Design Workshop, a Tempe landscape architecture
firm.
The Tempe Center
for the Arts is centrally located in the heart
of the Phoenix Metropolitan area at 700 W. Rio
Salado Parkway - east of Priest Drive and Rio
Salado Parkway.
/studio.jpg) |
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The Mainstreet Theatre Company
Rancho Cucamonga, California
(December 2006)

Productions
Coordinator: Mireya ("Murry") Hepner
The Mainstreet
Theatre Company has sprung to life in
Rancho Cucamonga, California! In it's inaugural
season, we are producing three fully produced Theatre for
Young Audiences productions at the beautiful 536 seat Lewis
Family Playhouse at the brand new Victoria Gardens
Cultural Center.
The Victoria
Gardens Cultural Center opened to the public in August,
2006. It is a one-of-a-kind venue dedicated to providing
families and school children with theatre experiences and
educational opportunities. The Center is owned and operated
by the City of Rancho Cucamonga, and integrates a Library,
a Theatre (The Lewis Family Playhouse), and Celebration
Hall, a rental and banquet facility.
The Lewis Family Playhouse is
a 536 seat proscenium theatre, and will be host to a
(presented) Family Series of arts programming for children
and families, and a Specialty series of concerts and other
acts, in addition to the offerings of the Mainstreet Theatre
Company.

Presenting imaginative
Theatre for Young Audiences was the City's primary goal in
creating the Lewis Family Playhouse. The Mainstreet
Theatre Company was created and developed by the
City to provide professional theatre productions
specifically designed for youth, school, and family
audiences. Productions will be primarily based on classic
and contemporary children's literature, and will include
entertaining performances for families as well as extended
learning experiences for school group audiences. All of our
productions have between 9 and 10 performances a week,
consisting of weekday morning shows for school groups and
weekend performances for families. The school performances
in our inaugural season are already sold out, with waiting
lists!
The Mainstreet
Theatre Company aims to bring the highest quality
theatrical performances to the beautiful Lewis Family
Playhouse Stage. The Directors and Designers bringing our
shows to life in our inaugural season have worked in
prestigious theatres across the country -- we're thrilled to
be sharing their artistry with the children and families in
the Inland Empire.

Our first show was Jeffrey
Hatcher's adaptation of MISS NELSON IS MISSING!, directed by
Mark Rucker. It ran for 3 weeks and closed on October 8,
2006. We're gearing up for SEUSSICAL, directed and
choreographed by Sha Newman, which opens in November, and
CHARLOTTE'S WEB, directed by Adam Burke, which opens in
March. For a complete list of our creative teams and other
information about this exciting new venture, visit
www.lewisfamilyplayhouse.com

Photos
1) MISS NELSON IS
MISSING!, which closed a few weeks ago. Ann Marie Lee is
Miss Nelson, The kids are (from L to R:) - Emily Eiden,
Reggie DeLeon, Alicia Gaddis, Siddeqah Shabbaz, Nick Cagle
and Joe Ngo.
2) Preston Maybank
is DETECTIVE MCSMOGG. Kids are : Reggie DeLeon, Michael
Pappas, Alisha Gaddis, Siddeqah Shabbaz, Emily Eiden, Nick
Cagle, Joe Ngo. Set by Michael C. Smith. Costumes by
Julie Keen. Lighting by Brian Gale. 3) Anne Marie Lee
as VIOLA SWAMP; Kids: Siddeeqah Shabbaz, Emily Eiden,
Michael Pappas,Nick Cagle, Reggie DeLeon, Joe Ngo, Alisha
Gaddis. 4) Ann Marie Lee as MISS NELSON (on mars);
Kids: Joe Ngo, Alisha Gaddis, Michael Pappas, Sideeqah
Shabbaz, Reggie DeLeon
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SteppingStone Theatre for Youth Development
Saint Paul, Minnesota
(March 2007)

Artistic Director:
Richard Hitchler
SteppingStone
produces a full season of six shows at the Landmark
Center in Saint Paul, Minnesota. We commission
local playwrights to write shows that are educational
and entertaining for children and families. All of the
theatre's performers are youth and children who work
with some of the Twin Cities' best professional theatre
artists to create performances that are musical, moving,
and fun for all.
Currently producing their
plays in a 236 seat auditorium in the Landmark Center in
St. Paul, Minnesota, SteppingStone Theatre is in the
process of renovating a 100-year-old church in St. Paul.
This new facility will allow the company to meet the
demands for its programs, which serve youth from
diverse, ethnic, social, and economic backgrounds by
teaching life skills through theatre. Last year,
SteppingStone Theatre served 70,000 youth and families
through mainstage shows, classes, workshops, and
outreach programs.
Renovation plans include improvement of the
exterior; conversion of the sanctuary into a
430-seat theatre with a proscenium-style stage
equipped with modern lighting and sound
capabilities; installation of an elevator for
accessibility to all areas of the building; and
construction of classrooms, dressing rooms and
administrative offices on the lower level. When
complete, the facility will be home not only to
SteppingStone Theatre's programs, but also available
for use by other arts and community organizations as
well.
The mission of
the theatre, since its beginning in 1987, is to
develop the whole child by using educational theatre
programs and fully staged productions to build
self-esteem, confidence, and a sense of community,
while celebrating diversity in a supportive,
noncompetitive atmosphere.
For more information about our season, plans four
our new facility, or our education programs, please
visit our website:
steppingstonetheatre.org

Journey of the Drum: A Taiko
Fable
by R. A. Shiomi
March 2-22, 2007
A Classic Tale With A Taiko
Twist!
When a young orphan girl
falls in love with Taiko drums, nothing can stop her from
learning to play. Not the tradition that says only males can
play taiko, not the highest mountain in the land, and not
the coldest winter on earth.Accompanied by the village heir,
Sameco sets off on a quest to earn the right to play taiko.
Along the way, they learn about honor, bravery, and true
leadership.
This play, full of thundering drums, is SteppingStone
Theatre's fourth co-production with Theater Mu, "the
Midwest's foremost pan-Asian performing arts organization."
Photo credits: Photo by
Ann Marsden In photo: (from left to right) Emily Hampe,
Roberta Padua, Rakem New, Maxine Paris (as Sameco),
Jovonta Williams, Chesa Greene, Ahmed Mossa, Audrey
Berdahl-Baldwin Photo: Rendering of new facility plans,
Duan Corp. Architect
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Sybil
St. Claire
Orlando,
Florida
(April 2007)
A
career theatre artist and arts educator Sybil St. Claire
works as a Lecturer in the Theatre for Young Audiences
graduate program at the University of Central Florida.
She is an award winning union director, and an
internationally produced and published playwright, Her
experience runs the gamut from theatre for the deaf to
utilizing theatre as a therapeutic modality with
terminally ill pediatric patients, and children in
foster care. Currently, her research is focused on the
psychology of creativity. Though diverse, her work
shares a common thread, that of empowering others to
live their best life.

Sybil’s plays for young audiences, “Woolfie” and
“Incantation” {Eldridge Publishing} recently enjoyed
their 100th production. With performances in
almost every state in the union, as well as in Europe,
Canada, and Central America her contributions to the
field have been honored with an Outstanding Research and
Creativity award from the University of Central Florida.
Her monologue, “Wake me When it’s Over” was recently
accepted into an as yet unnamed anthology of spiritual
monologues for young actors {Meriwether Publishing} that
will also feature the work of Durang, Shaw, Miller, and
Sophocles. Her work may also be found in “Audition
Monologues for Student Actors: Volume II.
Sybil’s latest creation “The Invisible People,” a new
musical for young audiences, composed by Amado Babadillo,
explores the imaginary and spiritual life of children.
We spend the evening with 12 year old Katie who is torn
between growing up and giving up the things of childhood
{her beloved blankie and her invisible friends}. On her
revelatory journey Katie confronts and finally embraces
the different aspects of herself – the noble, the
frightening, and the enchanting. Having enjoyed staged
reading at two equity houses the show will be ready for
publication in Spring 2008. “The Invisible People” is a
true story... IF you believe in magic.
For more information or to contact
Sybil St. Claire, email
sstclair@mail.ucf.edu.
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Family Opera Initiative
New York, NY
(May 2007)

Mission Statement:
Family Opera Initiative (FOI) was created
to bring to a widely diverse audience the opera
experience in the form of new, original American
opera-works that are accessible but challenging, made by
exciting, unexpected artists, new and experienced, who
speak to this audience through the artistic media of
opera: music, words, theater, and visuals, with subject
matter that matters; to create this work to a benchmark
that will also engage the community in the process and
the performance of the piece to the greatest extent
possible.

The
fat lady sings? EXPLODE her and all those images and
preconceptions. These opera-works are accessible.
They embrace an indigenous vernacular energy; they burst
forth in our own American-ness, and they resonate with
our own language. They enchant, challenge, and
inspire multi-generational audiences – our definition of
family – they make us laugh, cry, and acknowledge who we
are. These are, in fact, the same ideas that
inspired the beginnings of opera back in 1590; and they
are what we re-capture in these new works by American
composers and writers of today.
– Grethe Barrett Holby, Executive
Artistic Director

Organization Bio:
FOI was established in 1995 by director
Grethe Barrett Holby as a program of American Opera
Projects, the company she founded in 1988. Generously
supported by the Jaffe Family Foundation and many
private individuals, FOI forged an ongoing developmental
residency partnership with Atlantic Center for the Arts
in 2004, and is now a featured program of Ardea Arts,
501(c)3 2006. FOI has partnered with the renowned
children’s theater TADA! (2001), Fort Greene Park
Conservancy (2002), Orlando Opera (2005), Orlando
Shakespeare Festival (2006, 2007), and Montclair State
University (2006). Having fostered, developed and
premiered four new operas for family audiences:
Flurry Tale (1999), Sir Gawain and the Green
Knight (2001), Fireworks (2002), and
currently Animal Tales, FOI has collaborated with
extraordinary artists unexpected in the field of family
entertainment including Billy Aronson, Kitty Brazelton,
Franco Colavecchia, Umberto Eco, Tania Leon, Richard
Peaslee, George Plimpton, Clifton Taylor and Amy
Trompetter.

Current Projects:
FOI is currently developing Animal
Tales, a new opera with music by Kitty Brazelton, a
libretto by George Plimpton, and direction by Grethe
Barrett Holby. It is a musical fable about seven
animals who come to their Vet with a desire to change
their lives markedly – the goldfish wants to escape her
bowl and swim the sea of Japan; the dog wants to learn
to howl like a wolf; the frog is having trouble with his
hopping, and so on. A community-based children’s chorus
playfully comments, taunts, and sympathizes with the
animals. The children also create and learn to
manipulate their own animal puppets, presenting the
totality of opera as an interactive experience.
The piece crosses cultural boundaries with the
combination of classically trained, R&B and jazz vocal
styles, DJ techniques, and Latin percussion; integrating
myriad styles of dance, costumes and puppetry into the
music and production of the work. Animal Tales
exposes a younger generation who loves to sing, act, and
pretend, to the fun of opera.
Animal
Tales
was
most recently presented as a workshop in July 2006 at
Montclair State University in New Jersey and previously
at Atlantic Center for the Arts in Florida in January
2005.

FOI is also in the process of developing
The Three Astronauts, an opera-music-dance tone
poem based on an extraordinary picture book for all ages
by Umberto Eco and Eugenio Carmi. An American, a
Russian, and a Chinese take off separately in their
rockets. Each wants to be the first on Mars, but
they all land at the same time. The story of how
they evolve from enemies into allies is ripe for the
stage; and the stark abstract beauty of Carmi’s imagery
will transfix audiences.
The production will include music by
Tania Leon, set and costume design by Eugenio Carmi,
direction by Grethe Barrett Holby, and a libretto
featuring four different languages – American, Russian,
Chinese, and Martian.
For more information about FOI, please
contact Laura Wagner, Managing Producer at
Lwagner@familyoperainitiative.org.
www.familyoperainitiative.org
Photos:
1.)
Aus Jordan as Turtle in
Animal Tales at Montclair State University
2.) Grethe
Barrett Holby, Executive Artistic Director
3.) Martin Hurt as Horse in Animal Tales at
Montclair State University
4.) Cast members from Animal Tales
at Montclair State University
5.) The Children's Chorus creating puppets for Animal
Tales at Atlantic Center for the Arts |
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